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Holding Pattern

by Hannah Cameron

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Adam
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Adam Cheeky scroll through bandcamp at work, listened to the first track Take the Blame and knew immediately this was an album to remember. Been on repeat since then! Thanks Hannah. Favorite track: Haiku Song.
76wilbury
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76wilbury 'Take the Blame' popped up late one night on Double J and have had it on frequent repeat. Am utterly delighted to have 'Holding Pattern' and Hannah's smooth, often bittersweet stylings in my collection. PS. sorry it took so long to find you, HC! Favorite track: Take The Blame.
Mark Neal
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Mark Neal Fell in love with this track when it came out. Can't wait to hear the rest of this album. Favorite track: Backsliding.
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  • Record/Vinyl + Digital Album

    Hannah Cameron’s third album Holding Pattern traces a flight path over her recent life, inviting us to listen as she examines her recurring tendency to wait for someone else to lead the way forward: out of a relationship, out of lockdown, back to herself. It's the idea of stasis – stuck in-between action and apathy – that Holding Pattern so bravely and eloquently explores.

    Includes unlimited streaming of Holding Pattern via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 1 day

      $45 AUD or more 

     

  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      $10 AUD  or more

     

1.
I’ll take the blame, I will happily explain, All the ways that you and I have changed. You can’t decide, I will happily oblige - Tell you I am just here for the ride. Sitting on the passenger side, Backseat driving my own life. We play the game, When it serves us we speak plain, Learn how to indulge and then abstain. So I fill my cup, Overflow it, mop it up - Feel the cloth absorb and wring it out. Sitting on the passenger side, Backseat driving my own life. I don’t wanna take the key, I don’t wanna turn the wheel, I don’t want it to fall on me, When I don’t know how I feel. Sitting on the passenger side, Backseat driving my own life. I’ll take the blame.
2.
Haiku Song 04:00
I remember the night You sent the haiku Last line read - “I give into you” You rode over in the rain I kissed your wet face All that wasted time Felt worth the wait And we drove down the street To an open mic Your brother singing Springsteen “Woah I’m on fire” It felt like a dream Or an ending. But it was another false start It was a change of heart It was a weed that grew From a seed of doubt All the walks through the park Talking into the dark All the lines we wrote Saved as a draft Still I remember the night You sent the haiku Last line read “I give into you” It felt like a dream Or an ending Or a book I wrote Somehow willed into being Or a line I stole without realising Baby I could spend a lifetime theorising I just wanna feel like it all means something Means something. I remember the night You sent the haiku Giving into it Giving into you I give in to it I give in to you I give in.
3.
Backsliding 04:19
Sitting at the bar, On your bed, In your car, Haven’t moved very far. What is there to say, Did I think you would change? That this might go another way? I wanna teach a lesson, I don’t want to learn. I wanna start a fire, Just to feel the burn. Standing at your door, I’m in your way, But you’re not sure What it is you’re leaving for. What is there to say, Did I think you would stay? That this might go another way? You wanna be the teacher? Be prepared to learn. You wanna start a fire? Be prepared to burn. You wanna know the answers? Gotta face the facts. You wanna make a mint, You gotta pay the tax.
4.
Interstate dragging on, Lanes for days I was wrong When I said I could take the heat. All the stop signs The dotted lines The days and hours intertwined My tail numb on the seat. The blink and dash The petty cash The cigarette that’s burned to ash - Smells like leaving. Sunset in the rearview Wanna call you Wanna hear you Wanna send you a picture of the sky. But there’s stop signs and dotted lines There’s days and hours to remind me Of all the reasons why The fuel light flash The mercy dash The narrowly avoided crash The trickle of unleaded gas The cigarette that’s burned to ash Smells like leaving, Smells like leaving, Smells like leaving. Interstate dragging on, Lanes for days I was wrong When I said I could take the heat.
5.
You come around on a Saturday baring gifts And I don’t know what to make of it I almost lost my head and let you in So we sit outside in a public place playing by the rules Comment on the weather And trade stories about who is seeing who But I don’t wanna talk about other people’s problems Tell me something new. And ever since I saw you I’ve been sleeping through the night - It’s not that I’m not grateful I just wish it wasn’t you who made it right. Cos everything is cut and dry now - let’s not misconstrue I can still have needs without expecting them to be fulfilled By you. So I don’t wanna talk about other people’s problems Tell me something true. Cos when all I get is headlines of some sugar-coated news I wanna grab you by the shoulders and remind you Who you’re talking to. I don’t wanna talk about other people’s problems (Other people’s problems) Tell me something true.
6.
I’ve been meaning for months now to tell you, All the things that I know I should say, But to bring it up now will seem petty, And I know that you’ll take it the wrong way. I can hear it before you have said it, You’ll say “I didn’t mean it like that”, As I’m telling you “you hurt my feelings”, You’ll tell me not to overreact. But I have known you better Than you’ve known yourself And if you cannot listen to me How am I to help? All the years that I spent second guessing, Every word that I wanted to say, Seeking out your approval and blessing, Hoping you wouldn’t take it the wrong way. But I have known you better Than you’ve known yourself And if you cannot listen to me How am I to help? I am not your mother, I don’t hold a stake In your happiness anymore You can leave or take every word that I say. But in forgetting history, Man is condemned to repeat his mistakes. So I’m sitting here writing a letter, With all the words that I know I should say (to your face), Writing knowing that I’ll never send it, It’s not worth having you take it the wrong way.
7.
Repeat 03:29
Staring down the barrel of another day to fill I know I should call you but I don’t think that I will Spend the morning writing lines I’ll probably delete Wet hair on my shoulders dripping onto my seat Repeat Repeat Repeat Repeat Repeat Repeat Repeat Walking through the gardens watching people in the wild Living for the weekend with a mortgage and a child Staring down the barrel of another working week Rendering the freedom that you feel now obsolete Repeat Repeat Repeat Repeat Repeat Repeat Repeat Repeat Repeat Repeat Repeat Repeat Repeat Repeat Repeat Repeat! (Staring down the barrel) Repeat! (Staring down the barrel) Repeat! (Staring down the barrel) Repeat! (Staring down the barrel) Existential crisis on a Sunday afternoon Blame it on the internet, blame it on the moon On every expectation that I know I cannot meet Waiting on a revelation staring at the street.
8.
You and these four walls, You and your own head, You in control of what you make of it. It is a practice, You are in training, You can accept it or go on complaining. You have a choice here, Make a decision, Is it a palace or is it a prison? You and these four walls You and your own head You cleaning up like you would for a good friend. It is a practice, You are in training, A muscle memory that you are retaining. You have a choice here, Make a decision, Is it a palace or is it a prison? You have a choice here, Make a decision, Is it a palace or is it a prison? You and these four walls, You and your own head, You in control of what you make of it.
9.
You come to me head in hands, Overthinking, making plans, Fighting with your instinct and your body, Hoping that I’ll read between the lines When you lay a hand upon my leg and say you’re sorry, You’re sorry, Don’t worry - I’m fine. You come to me hand on heart, Standing in the rain looking the part, I give up fighting with my feelings. Lying with our limbs entwined on the sofa - searching for each other on the ceiling. I see you stealing glances (I’m not blind) But don’t say You’re sorry I’m fine. And we have nothing now but time, Nothing ahead or behind. You come to me - hands are tied, So it falls on me then to decide Between the present and the future. You know it’s hard to make the call Without knowing what I ever did mean to you. And we have nothing now but time Nothing ahead or behind. Still you’ll hit fast forward and I will hit rewind, You’ll keep worrying that I might change your mind. So you keep on saying sorry and I’ll keep saying - “I’m fine” “Fine” “Fine”. And we have nothing now but time, Nothing ahead or behind.
10.
Wake me up Wash me down Rinse, repeat Swim then drown Fold me in some embrace Hold me close then rotate Sugar sharp on the tongue Lake icy on the lung Fight the feeling Sink or swim Fly or fight Make it heavy Make it light Stem the bleeding All I know for sure is I know nothing at all. Wake me up Wash me down Pull away Come around Put me back in my place What’s a small Fall from grace? Sugar sharp on the tongue Lake icy on the lung Fight the feeling Sink or swim Fly or fight Make it heavy Make it light Stem the bleeding All I know for sure is I know nothing at all. All I know for sure All I know for sure All I know for sure is I know nothing at all - Nothing at all. Wake me up Wash me down.

credits

released September 22, 2023

All songs written by Hannah Cameron
Produced, engineered and mixed by Matt Redlich
Cello engineering/arrangements by Ben Edgar
Vocal arrangements by Hannah Cameron
Mastering by Greg Calbi and Steve Fallone

Hannah Cameron - Vocals, Guitars, Synth (Track 1)
Leigh Fisher - Drums and Percussion
Luke Hodgson - Bass
Julian Banks - Tenor Sax
Charlotte Jacke - Cello
Matt Dixon - Pedal Steel (Track 4)
Clio Renner - Piano (Track 2), Synth (Track 7)
Louis King - Guitar (Track 2)
Michael Panton - Guitar (Track 3)
James Gilligan - Violin (Track 3)
Matt Redlich - Guitar (Track 2)

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Hannah Cameron Melbourne, Australia

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